Curators' Intensive Taipei 19
International Conference and workshops
|
Contemporary Curating Rethink: In the Context of Asia and Beyond Date 2019.10.11 2019.10.12 2019.10.13 Place Taipei Fine Arts Museum Youth curatorial workshop Session 1 2019.5.18, 2019.05.25 2019.06.01, 2019.06.08 Session 2 2019.10.10, 2019.10.14 Place Taipei Fine Arts Museum MoNTUE (Museum of National Taipei University of Education) |
|
2019 CCSCA Lecture Time Table
|
Art space-production in Taiwan, The Cube as an example. 談「藝術－空間」的生產以立方為例 鄭慧華 2019. 04.10 13:30-16:30 芳蘭樓二樓 D204 (106台北市大安區和平東路二段134號) Masam Masam Manis 酸酸甜 葉紹斌 （YAP Sau-Bin ）、墨夫．艾斯⽪納 （Merv ESPINA） 2019. 05.15 13:30-16:30 圖書館一樓 H103 LIBRARY GF (106台北市大安區和平東路二段134號) The Magical Twins 周安曼 2019. 05.24 10:10-12:00 圖書館一樓 H103 LIBRARY GF (106台北市大安區和平東路二段134號) |
|
CCSCA Application Opens from 1th Feb. to 30 April 2019.
Required Documents 1. Application Form for Admission (fill in online) 2. Receipt of payment (USD 40 or NTD 1,200 ) 3. One copy of an Affidavit for Admission 4. One copy of the applicant’s passport or nationality document. 5. One photocopy of documentary evidence of educational background and transcript over the years. 6. Affidavit for Document Verification(If the verification process cannot be completed prior to the application end date) 7. A financial statement or a document certifying financial ability of at least USD 6,500 or NTD 200,000. 8. Checklist and Affidavit for Foreign Students Undertaking Studies in Taiwan Required academic documents (in English) 9. An autobiography or a Personal Statement (no more than two A4 pages). 10. Study plan or Research plan. 11. English proficiency test score (applied to students whose first language is not English). 12. Affidavit of Intellectual Property Rights. Optional academic documents (in English) 13. Work Collection or audio-visual data. 14. Recommendation Letter 15. Other documents that may facilitate the review. Online Application Here |
|
We've launched our new website
IT IS HERE! OUR NEW WEBSITE.
Please take some time and check out our site and visit us on Facebook and Instagram.
Please take some time and check out our site and visit us on Facebook and Instagram.
A Maiden’s Prayer |少女祈禱Artists | Yao Jui-Chung 姚瑞中/
James Lee Ming-Hsueh 李明學/ Chen Bo-Zheng and Yeh Wei-Li 陳柏爭和葉偉立 Exhibition | 2018.11.10 – 12.2 Opening | 2018.11.10 Sat. 17:00 Venue | 北師實驗畫廊(formerly Nanhai Gallery) Address | No. 3, Lane 19, Section 2, Chongqing South Rd Telephone | 0902 330 193 Hours | Mon. – Sun. 10:00 – 18:00 The MA program in Critical and Curatorial Studies in Contemporary Art (CCSCA) is delighted to announce the student-curated exhibition, A Maiden’s Prayer, taking place at the NTUE Art Gallery from November 10 until December 2, 2018. A Maiden’s Prayer features the work of four Taiwanese artists, Yao Jui-Chung, Lee Ming-Hsueh, Yeh Wei-Li, and Chen Bo-Zheng. Artists will offer three works of installation, performance, and photography as points of contemplation around the theme of trash. The title of the exhibition takes its name from the song played by garbage trucks during trash collection times in Taiwan.
|
|
CCSCA Call for 2019 applications of ONE Taiwan student
We have one opening for the domestic student. Don't miss out!
當代藝術評論與策展全英文碩士學程招收一名台灣學生
■ Online Payment period: Sep. 25th(Tue.) 9:00 -Oct. 8th, 2018 (Mon.)17:30
■ Application period: Sep. 25th(Tue.) 9:00-Oct. 9th 2018(Tue.)17:30
■ Submission Deadline: Oct. 9th, 2018(Thur.)
公告108學年度碩、博士班甄試入學
報名方式：網路取號繳費後，網路報名，並完成寄件。
■ 網路取號繳費：107年9月25日(二)9:00至107年10月8日(一)17:30止
■ 網路報名填表：107年9月25日(二)9:00至107年10月9日(二)17:30止
■ 寄件截止日期：107年10月9日(二)【限時掛號，郵戳為憑】
108碩博士班甄試入學招生簡章 http://exam.ntue.edu.tw/index_E.html
Curating History/ Histories of Curating in Asia II
Date: 25 May-29 June
Organizers: Spring Foundation 春之文化基金會 , 台北當代藝術館 MOCA Taipei
Joint-organizer: Critical and Curatorial Studies of Contemporary Art at NTUE
Co-organizer: 典藏 ARTouch.com
Planner: Lu, Pei-yi (Program Leader, International Graduate Program,Critical and Curatorial Studies of Contemporary Art, National Taipei University of Education)
This lecture series investigates the relationships and possibilities of curating and history through the perspectives of contemporary curating and the methods of curatorial practice within the Asia region, a region undergoing dramatic and rapid change as well as lacking archives.
The second part of this series will focus on institutions and mechanisms. The series will begin with Mami Kataoka, the Chief Curator of Mori Art Museum, Japan. She will address the histories on landmark exhibitions in the post-war period which parallel the emergence of contemporary art institutions. This will be followed by international art researcher, Sophie McIntyre. She will discuss, from the perspective of a long-term international observer of Taiwanese art, art as a way of cultural translation, focusing on how identity politics has impacted the global imagines Taiwan, and how Taiwan presents itself. The third session will proceed with Anthony Gardner, the Head of the Ruskin School of Art at the University of Oxford, England and a researcher of biennials. Responding to the topic “learning from the south”, he considers how biennials from the global south can activate the exhausted biennial format. Compared with Japan’s complete system of art institutions, what is the curatorial situation in Southeast Asia? Ute Meta Bauer, the Founding Director of the NTU Centre for Contemporary Art Singapore, will end this series with her insight on curatorial spaces and the problems caused by the unbalanced regional development in Southeast Asia. Meanwhile, this series invites art researchers and curators from Taiwan to provide local responses to each session, hoping to link and illustrate the possible contemporary topography of curatorial histories in Asia through various traces and prepare future materials for curatorial practice in Asia.
❏ 25th May <History of Curating Contemporary Art and Institutional Development in Japan>
(Mami Kataoka, Chief Curator of Mori Museum, Japan)
❏ 8th June <The Art of Cultural Translation: Writing and Exhibiting Art from Taiwan from the Outside Looking In>
(Sophie McIntyre, Lecturer of University of Queensland, Australia)
❏ 22nd June <Learning from the South? Biennials Past, Present and Future>
(Head of the Ruskin School of Art, University of Oxford)
❏ 29th June <The Spaces of the Curatorial in Southeast Asia>
(Founding Director of NTU CCA Singapore)
Organizers: Spring Foundation 春之文化基金會 , 台北當代藝術館 MOCA Taipei
Joint-organizer: Critical and Curatorial Studies of Contemporary Art at NTUE
Co-organizer: 典藏 ARTouch.com
Planner: Lu, Pei-yi (Program Leader, International Graduate Program,Critical and Curatorial Studies of Contemporary Art, National Taipei University of Education)
This lecture series investigates the relationships and possibilities of curating and history through the perspectives of contemporary curating and the methods of curatorial practice within the Asia region, a region undergoing dramatic and rapid change as well as lacking archives.
The second part of this series will focus on institutions and mechanisms. The series will begin with Mami Kataoka, the Chief Curator of Mori Art Museum, Japan. She will address the histories on landmark exhibitions in the post-war period which parallel the emergence of contemporary art institutions. This will be followed by international art researcher, Sophie McIntyre. She will discuss, from the perspective of a long-term international observer of Taiwanese art, art as a way of cultural translation, focusing on how identity politics has impacted the global imagines Taiwan, and how Taiwan presents itself. The third session will proceed with Anthony Gardner, the Head of the Ruskin School of Art at the University of Oxford, England and a researcher of biennials. Responding to the topic “learning from the south”, he considers how biennials from the global south can activate the exhausted biennial format. Compared with Japan’s complete system of art institutions, what is the curatorial situation in Southeast Asia? Ute Meta Bauer, the Founding Director of the NTU Centre for Contemporary Art Singapore, will end this series with her insight on curatorial spaces and the problems caused by the unbalanced regional development in Southeast Asia. Meanwhile, this series invites art researchers and curators from Taiwan to provide local responses to each session, hoping to link and illustrate the possible contemporary topography of curatorial histories in Asia through various traces and prepare future materials for curatorial practice in Asia.
❏ 25th May <History of Curating Contemporary Art and Institutional Development in Japan>
(Mami Kataoka, Chief Curator of Mori Museum, Japan)
❏ 8th June <The Art of Cultural Translation: Writing and Exhibiting Art from Taiwan from the Outside Looking In>
(Sophie McIntyre, Lecturer of University of Queensland, Australia)
❏ 22nd June <Learning from the South? Biennials Past, Present and Future>
(Head of the Ruskin School of Art, University of Oxford)
❏ 29th June <The Spaces of the Curatorial in Southeast Asia>
(Founding Director of NTU CCA Singapore)
2018 CCSCA PUBLIC TALK
|
The Art Museum and Gallery as a Social Space Speaker: Ben Highmore Date: 9th March (Friday) 19:30-21:30 Venue: MoNTUE 1st Floor Ben Highmore Professor of Cultural Studies (Media and Film), University of Sussex, UK. His book "Everyday life and cultural theory : an introduction" (2001) has great influence. Recent books include: "Cultural Feelings: Mood, Mediation, and Cultural Politics" (Routledge, 2017); "The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain" (Yale University Press, 2017) ; "Culture: Key Ideas in Media and Cultural Studies" (Routledge, 2016) and so on. |
|
